A bunch of happy students enjoying themselves at a Christmas party until a sadistic Santa Claus comes and interrupts the festivities. Spruce Green becomes blood red when the plot is different from the naughty children they please.

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Kazuo was born in 1968 in Sado. After studying and working in Tokyo, he decided to return to his native island. He rediscovered Sado, exploring its mountains and treasures. Every day in his restaurant, according to the seasons, he invents a precise and inspired local cuisine. Kazuo invites us to spend a week in his kitchen.

Sara, a young actress, is able to land the leading role in big theater play, but soon learns that somebody or something is trying to end the production at all cost, which puts Sara in deadly danger.

It has been one hundred years since the first movie theatre was built in Korea. Today it is not just a place for the sake of art but a part of our daily lives. This is an omnibus film of three shorts, which the stories are involved with the 'special but friendly'space. The Famished is a sad fantasy of a man eating his memory for his hunger. Ten Million is a bloody thriller about living as a filmmaker in Korea, and The Loneliness of Butcher Boy is about the relationship between holiness and violation

Achievement Hunter is determined to sit through some of the worst movies ever made, and they want you to suffer with them.

Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets.Jim Buckley of the Pewter Plough Playhouse recalled:When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.

Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets.Jim Buckley of the Pewter Plough Playhouse recalled:When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.

Ten artists meet in a ghost theater. At the cost of each other, they grapple with love, humiliation and loss.

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